Post Production

Post Production

Some say, this is where film magic is made!

Video Editing

It doesn’t really matter whether it’s Apple’s Final Cut Pro or Blackmagic Design’s DaVinci Resolve, they’re just tools to do a job and we’ll use the one(s) best suited to your project. Editing – quite often where the magic is made.

Motion Graphics

Text, logos, graphics, charts – all could do with a healthy sprinkling of movement, effects or transitions. Or what about green screen work, where people or objects appear with different backgrounds? We handle that here too.

Audio Post Production

Audio is just as critical as image so don’t leave it to chance.  We use industry standard Logic Pro or Fairlight to make your audio stand out. If your sound needs repairing, we use Izotope RX to solve those pesky problems that can be hard to fix with standard software.

FAQs

You don’t have to have a turnkey, one-stop video solution. You might have video that needs re-editing to a different length for a different platform or you may just want a new VoiceOver to give your production a fresh feel.  If you are in possession of the original assets, there’s not much that can’t be repurposed. In short, you choose what you need or we can advise.

There are a number of ways to send or receive digital assets for review or online publication.

  • WeTransfer – wetransfer.com
  • MyAirBridge – myairbridge.com

Please call to discover the best way to send/receive digital assets.

VIDEO: In terms of resolution, we deliver in both 4K Ultra High Definition (3840 x 2160 pixels) and Full HD (1920 x 1080 pixels).  In terms of format, the most popular delivery options are: DPX, MP4 and QuickTime.  As for CODECs, H.264, H.265 and Apple ProRes are offered.  Depending on the project, we also have scope to acquire and deliver in 8K (7680 x 4320).

AUDIO:  Audio is mastered to -23 LUFS for broadcast or -14 LUFS, for the likes of youTube or podcasts, at 96kHz or 48kHz, 16 or 24-bit.

For Full Service Video Production: (1) We schedule a meeting to discuss your project in detail; what you hope to achieve from your production(s), the content and the budget.  (2) Then, we will either be helping you to develop interview questions and a shot list (for documentary-style filming), or we will be working on a script and storyboard for motion graphics and animations or narrative-style projects such as a commercial.   (3)

Although in-house camera equipment is not on the Netflix-approved list, gear meets the Netflix criteria.  In bold below is where in-house camera equipment meets Netflix’s technical requirements: ‘Camera must have a true 4K UHD sensor (equal to or greater than 3840 photosites wide)

Capture Formats:

RAW (e.g. X-OCN, REDCODE, Arriraw etc.) or COMPRESSED (e.g. XAVC, AVC-Intra, ProRes, or other I-Frame capable formats)

Minimum of 16-bit Linear or ≥ 10-bit Log processing

Minimum data-rate of 240 Mbps at 10-bit UHD 23.98 fps

Capture Transfer Function

S-Log3, Log-C, V-Log, Log3G10, etc.

Capture Color Space

S-Gamut3.cine, RED Wide Gamut RGB, Alexa Wide Gamut, etc.’

If your production needs to fully meet Netflix benchmarks, rest assured that can happen here.

Yes, right here!

  • BTS (Behind the Scenes) Camera Operation and Post Production
  • Camera Operation
  • Colour Correction (limited)
  • Colour Grading (limited)
  • Interviewing
  • Lighting (limited)
  • Motion Graphics
  • Script Creation & Editing
  • Sound Recording (limited)
  • Timelapse Videography
  • Video Editing
  • Video Production

Where limited is mentioned, this refers to in-house facilities or competence. Please call for clarification.

Services mentioned are in alphabetical order.

Projects can vary enormously in terms of their runtime, complexity or time to complete. It is best to get in touch to discuss your individual needs, in order to get a better idea of price.

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